Uncut March 2008
Netrhythms.co.uk
March 2008
Irish Evening Herald March 2008
Rambles Magazine
29 May 2005
Q Magazine April 2002
Sunday Times January 6th 2002
Get Rhythm Dec - Jan 2001/2
Guardian Thursday August 24 2000
Uncut
Orange Roses (Emu Records)
Magical, melodic jazz pop ****
It’s almost seven years since Hollweg’s debut album June Babies
but this is certainly worth the wait. Likened to Joni Mitchell (very For
the Roses at times) and Susanne Vega yet she’s more akin to an old
school Brill Building songsmith. Carole King couldn’t have come up
with a better pop song than “These Are My Tears“. If only the
Carpenters were around to cover it - someone should.
Elsewhere her approach is leaner and jazzier, “Rocked By Your Love” has an arrangement that wouldn’t sound out of place on a Tim Buckley album although lyrically, she writes about simple, everyday things, albeit in a gently skewed manner. Delightful and kooky.
Mick Houghton
Irish Evening Herald
Orange Roses (Emu Records)
'Orange Roses' is the second album by London-based singer/songwriter Rebecca
Hollweg, following on her 2001 debut album 'June Babies'. In view of the
meticulous craftsmanship that's clearly gone into this recording, the
seven-year gap is understandable. There's not a word, a note, a sound,
an inflection here that hasn't been carefully thought out, and that's
the album's weakness as well as its strength: a few rough edges mightn't
have gone amiss.
Hollweg is a superbly polished singer with a reedy voice that brings
Joni Mitchell to mind, as does her songwriting. Like Mitchell, she likes
to explore the border between folk and jazz, with a definite bias towards
the latter. Indeed, closing track 'Falling' falls purely into the jazz
category. A collaboration between Hollweg and American double bassist
Harvie S, it's already been covered by Carleen Anderson of the Brand New
Heavies. Several more songs here will no doubt be snapped up by other
singers -- notably the heartstring-tugging title track, which could easily
become a standard in its own right.
Sarah McQuaid
Q Magazine - April 2002, by Rob Beattie ***
Otherworldly debut from West Country songwriter.
Styled on the sleeve in deliberately "kooky" fashion (red frilly blouse, ukulele)Hollweg grew up in a Somerset artists' community where Joni Mitchell would have been de rigueur. But while these careful, jazzy songs have a smidgen of Mitchell's Court And Spark album about them, she's stylistically closer to long-time Tears for Fears and Cyndi Lauper collaborator Nicky Holland. A gifted tunesmith, happy to wrangle words into memorable phrases ("You cannot see these bruises/They are inside my head"), she released many of these songs on her earlier album The Demos. Here they're smartened up and there are two new tracks: Weather Song, with its infectious chorus, and the beautiful, bouncing Warhol and Williams.
The Sunday Times - CULTURE January 6 2002
On record - The week's essential new releases - Pop
Far removed from the mainstream, there labour a small army of musicians
who survive on a shoestring yet continue to turn up for the love of it
- singers such as Rebecca Hollweg, whose debut has been a long time coming,
and proves well worth the wait.
In likening her intimate musings on love, ambition and camaraderie to Joni Mitchell or Suzanne Vega, there is a danger that this leaves Hollweg herself out of the equation. Yet there is something of Mitchell in her soaring vocal lines and Vega in her confessional ones, though there are unexpected echoes, too, of Marianne Faithfull at her throatiest.
Standouts on an album abounding with upright bass, a string quartet and even a sousaphone, include the title track's ode to friendship and late developers, the bare-bones upcloseness of Where Are You Going? and the wryly observational Is It Me You're Looking For? You won't see this advertised on television, but since when has that been a guarantee of quality?
- Dan Cairns
Get Rhythm
Dec - Jan 2001/2
After support slots in the company of the likes of Roger McGuinn and Tom McRae the name Rebecca Hollweg will be known to some. However 'June Babies' provides ample evidence of a classy musician who, on the basis of this record, will reach a much wider audience in the coming months.
'June Babies' is an album of Hollweg originals sung with effortless ease by the lady in question and backed by a tight band. Andy Hamill (Nitin Sawhney, 4 Hero and Shea Seger) does a splendid production job and provides some eloquent bass in a unit which has no room for showboating solos; this is a band sound, plain and simple. The melodious Ms Hollweg delivers her polished, radio friendly songs with perfect diction and some real style. As reference points her music, on this evidence, is replete with Joni Mitchell and Ricky Lee Jones influences. Not a bad benchmark by any standards but she has a distinctive sound for all that. An unaffected "this is me" singing voice is quintessentially British and her relaxed approach is as easy on the ear (that does not mean bland) as it sounds in the delivery.
The Mitchell references are probably strongest in the conversational style of the vocals - 'Sorry', 'Sleeping In' and 'Is It Me You're Looking For?' provide the proof - and the production on 'Getting On' is reminiscent of Jones' work. In 'Warhol and Williams' Hollweg describes her childhood confusion in "mixing up Andys like Warhol and Williams" or is there a more sinister reading, we should be told!
Two lines in 'Is It Me You're Looking For' offer a glimpse of her potential; "I'm not the one who's lost/ It's just you haven't found me yet". If the fickle gods of fate smile on Rebecca Hollweg you soon will!
- Nick Allan
Guardian, Thursday August 24 2000
Sandals are out, Piercing is in
A new generation of young women is bringing fresh life to folk music. Lucy O'Brien reports...Each new artist in the acoustic scene brings something new to the mix...Rebecca Hollweg laces her low-key arrangements with exquisite vocals...
contact: info@rebeccahollweg.com